Design for a book of interviews with Anish Kapoor for RMN Grandpalais, France. Using an often-quoted statement by the artist for the front cover, we designed the book as a bi-lingual (French/English) edition with two separate front covers. Winner at the Annual Type Director’s Club awards and exhibition 2012 and featured in Typography 33.

Design for ‘Dirty Corner’ a volume collecting sketchbook drawings, paintings, architectural models, and sculptures by Anish Kapoor. Dating from 1974 to the present day, the collection traces the consistent concern in the artist’s work with the void. A loose and simple approach to the layout, occasionally contrasts the dark and bloody subject matter with interruptions of light (Pantone yellow neon). The book was released on the occasion of the exhibitions at Rotonda di via Besana and Fabbrica del Vapore in Milan.

Catalogue design for Anish Kapoor’s exhibition ‘In the shadow of the tree and the knot of the earth’ at the Lisson Gallery in London. Instead of representing the sculptures in a traditional way, the artist's drawings (absent from the exhibition itself) are used to set the mood of the publication. The dark and atmospheric drawings form the main content of the 320-page book, preempting the forms present in the exhibition space, which emerge as loosely inserted, full-colour photographs of the work. (Winner at the D&AD Awards 2013)

Cover design for L’Équipe magazine, the supplement to France’s largest daily newspaper devoted to sports. Published on July 28, the issue was dedicated to the London Olympics, and Anish Kapoor was asked to design a special artist cover for the occasion. Working in collaboration with the artist we developed a 3-D pop-up cover of a self-standing form, a 1:1100 ratio model inspired by Orbit at the Olympic Park in London.

Catalogue design for RMN Grandpalais of the Leviathan exhibition by Anish Kapoor for Monumenta 2011. Two hundred black and white pages of drawings, gouaches, architectural models, studio photographs and writing lifted out of the artist’s sketchbooks formed the bulk of the catalogue and traced the preparatory work and idea development process. The final pages of the book were used for the full colour photographs of the installed work within the Nave of the Grand Palais in Paris.

Concept development and design for the first ever exhibition of Anish Kapoor in New Delhi and Mumbai, India. The project included design of posters, billboards, supporting exhibition graphics, invitations, guide, a large format newspaper, and the exhibition catalogue.

Design of the exhibition catalogue for the Anish Kapoor shows in New Delhi and Mumbai. Published by the British Council and Lisson Gallery, the 220-page volume features a retrospective of the artsit’s work, as well as a gallery of his architectural models. Texts include an interview with exhibition curators Andrea Rose and Greg Hilty, essays by Homi Bhabha and Nancy Adajania, and an extensive, illustrated chronology.

Catalogue design to accompany Anish Kapoor’s second major solo exhibition in Asia, at the Leeum, Samsung Museum of Art in Seoul, Korea. Using an Asian fold binding the design plays with the book space by splitting the images to reveal sculptures partially. The reader discovers the works by travelling across the book page, and piecing together various views, as in the exhibition space itself. The artworks, models and sketches were grouped into distinct ‘object’ chapters: objects full of darkness, monochrome, non-objects, proto, internal, and auto-generated objects. The 448-page volume was designed as a Korean/English bilingual edition with texts by the curator Tae Hyunsun, Lee Ufan, Joan Kee and Homi K. Bhabha.

Art direction and design of the 2011/12 annual report of lighting company Zumtobel. The design separated the report into two distinct volumes: a purely typographical, black and white book with the annual facts and figures typeset entirely in 8pt Courier, alongside a ’silent‘ publication of pure colour, a translation into print of the 1998 video work ‘Wounds and Absent Objects’ by Anish Kapoor. In collaboration with Anish Kapoor. Reviewed at It’s Nice That, the Creative Review blog and Co.Design. Selected for the Designs of the Year 2013 awards at the Design Museum in London. Nominated at Tokyo TDC, and awarded a Golden Cube at the 92nd Annual ADC Awards (Art Directors Club) in the US.

Concept, design and programming (including development of a CMS) for the website of artist Anish Kapoor. An ever growing chronological list of links to works, videos, texts, studio photographs, sketchbook drawings, or any other relevant page grabbed from the web (including a Cloud Gate google for the much photographed sculpture in Chicago), the site has been kept simple yet is extremely dense: a site you can really get lost in.

Website development for London-based painter Clare Chapman. The design of the website breaks down the painting caption into its component parts (title, year, size, materials) to use as navigation. Title tags reveal one or several paintings, allowing for thematically-grouped artworks to be presented together, while differently-sized JPGs introduce scale to a body of work ranging from 15 cm up to 195 cm long. Programming and CMS by Chris Brown. Reviewed at It’s Nice That.

Concept and design for Conversations about Culture, a book of photographs and discussions by people across Ireland, gathered during a one-week round trip by Boz Temple-Morris and Alisdair McGregor. Published by Business to Arts, Dublin with photography by Matthew Thompson. Designed with Ben Branagan.

Design for ‘3 Minutes’, one of a collection of ten diverse and powerful 3-minute interviews about the effect of the Tibetan conflict. Our contribution to the collection was a typographical interpretation of a 3-minute interview with Tenzin Lose into a 16-page booklet. For more information about DAHRA (Designers Against Human Rights Abuse) or to buy the book click here. All proceeds go to the Tibet Relief Fund.

Summer 2011 to summer 2012 (4 issues): design and layout of frieze d/e, a fully bilingual German/English magazine by the publishers of frieze, the international contemporary art and culture magazine. With editing and production based in Berlin, the magazine is published 4 times a year and offers in-depth coverage of contemporary art and culture throughout Germany, Austria and Switzerland while closely following the international artist communities in this region.

Programme design for The Invisible College Theatre by Primitive Science, a maker of highly visual and innovative theatre.